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But to build a moment, a scene or an entire movie that really touches someone is the challenge-those are hard-won moments.” The Dam Keeper is the story of Pig, who operates his town’s windmill dam, and his friend, Fox. “At the same time, you do want to construct something that impacts the viewer in a big way-whether it’s to laugh or to cry or anything else. “Ninety percent of successful editing is building something that no one notices they are watching,” Furnish says. He quickly advanced, earning assistant editor credits on some Pixar blockbusters. He submitted his work and grabbed a spot as a production assistant in the editorial department. Three years later, he heard of an opening at Pixar through a friend of a friend. He didn’t hear back, but he plugged away at freelance graphic design gigs. “Studying graphic design at LSU helped me to be less precious about something, even if I made it,” he says.Īfter graduation, Furnish settled down in San Francisco and immediately applied for a job at Pixar. The method of refining and discarding work is strikingly similar. It turns out that film editing, Furnish says, has a lot in common with the creative process of graphic design. That love of drawing and storytelling took him to LSU, where he studied graphic design and made a handful of his own movies-mostly short films, fake commercials and music videos with friends.
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“I remember tearing up watching The Lion King even though I was way too old to cry at a movie,” he says. Furnish grew up in Baton Rouge completely in awe of the art of animation.